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Episode 24 - Reinforcements

Dirk Bouts, The Entombment, c 1450s

Glue tempera on canvas, 34 ½ x 29 in (87.5 × 73.6 cm)

National Gallery, London

Justus of Ghent, The Adoration of the Magi, c 1475

Distemper on canvas, 43 x 63 in (109.2 x 160 cm)

The Metropolitan Museum of Art, New York

Old patches on reverses of paintings

Strip lining - strips of canvas adhered to the edges of the reverse of a canvas

The top edge of The Entombment

Lining canvas is visible through the holes in the original canvas, and traces of brown paper tape are visible along the edge

Elisabeth-Louise Vigée Le Brun, Portrait of Countess Skavronskaia, 1790

Oil on canvas, 53 x 37 ½ in (135 x 95 cm)

Musée Jacquemart-André, Paris

Paper tape along bottom edge suggesting a glue-paste lining

The bottom edge of The Entombment

Light brown painted border along the edge

Left and right edges of The Adoration

Brown painted borders along the edges

Detail of The Entombment

Staining on the gray tomb caused by penetration of the lining adhesive

Reverse of The Entombment

Canvas visible is the lining canvas; stretcher is non-original

Justus of Ghent, The Adoration of the Magi

Darkening and patchiness caused by lining

The Adoration reverse during treatment in 1957 - note old patches

The Adoration X radiograph - the stretcher is non-original

Recommended Reading

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David Bomford, Ashok Roy, and Alistair Smith, “The Techniques of Dieric Bouts: Two Paintings Contrasted,” National Gallery Technical Bulletin

Vol. 10, 1985

https://www.nationalgallery.org.uk/research/research-resources/technical-bulletin/technical-bulletin-volume-10

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David Bomford and Sarah Staniforth, “Wax-Resin Lining and Colour Change: An Evaluation,” National Gallery Technical Bulletin, Vol. 5, 1981

https://www.nationalgallery.org.uk/research/research-resources/technical-bulletin/technical-bulletin-volume-5

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Westby Percival-Prescott, “The Lining Cycle: Fundamental Causes of Deterioration of Painting on Canvas: Materials and Methods of Impregnation and Lining from the 17th Century to the Present Day,” Conference on Comparative Lining Techniques, Greenwich, United Kingdom, 1974

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​Sophie Scully and Christine Seidel, “A Tüchlein by Justus van Ghent: The Adoration of the Magi in the Metropolitan Museum of Art Re-Examined,” JHNA 8:1 (Winter 2016), DOI: 10.5092/ jhna.2016.8.1.3 https://jhna.org/articles/tuchlein-justus-van-ghent-adoration-of-the-magi-metropoli tan-museum-of-art-re-examined/

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